Elizabeth Chase Olsen (born February 16, 1989) is an American actress. Born in Sherman Oaks, California, Olsen began acting at age four. She starred in her debut film role in the thriller Martha Marcy May Marlene in 2011, for which she was acclaimed and nominated for a Critics’ Choice Movie Award among other accolades, followed by a role in the horror film Silent House. Olsen received a BAFTA Rising Star Award nomination and graduated from New York University two years later.
Olsen gained worldwide recognition for her portrayal of Wanda Maximoff / Scarlet Witch in the Marvel Cinematic Universe media franchise, appearing in the superhero films Avengers: Age of Ultron (2015), Captain America: Civil War (2016), Avengers: Infinity War (2018), and Avengers: Endgame (2019), as well as the miniseries WandaVision (2021). Her performance in WandaVision garnered her nominations for a Primetime Emmy Award and a Golden Globe Award. Outside of her work as Scarlet Witch, she continued starring in films, including the 2014 monster film Godzilla, the 2017 mystery film Wind River, and the 2017 dramedy Ingrid Goes West. She executive produced and starred in the drama series Sorry for Your Loss (2018–2019), earning a Critics’ Choice Television Award nomination for her role as a widow.
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It’s like a tween gothic novel or What Ever Happened to Baby Janes. Your elder twin sisters—stars since infancy—are faces-on-lunchbox famous. Your summer vacations are spent on a celebrity cruise so the twins can sign autographs. Back in L.A., shopping at the mall equals mayhem. “The paparazzi were really frightening,” says Elizabeth Olsen. “I thought, Maybe I’ll just skip that part.”
Good idea. Renouncing that hotbed of mediocrity, Olsen trained with the Atlantic Theater Company, then went all the way to Russia to study acting, dialect, and stage combat. Now, at 22, she’s a legitimate Oscar contender for her haunting performance as a young woman under the sway of a creepy cult leader in the indie thriller Martha Marcy May Marlene. The most unnerving scene has her offered up naked as a ritual shag. Olsen didn’t think twice about the nudity. “The movie wouldn’t have been as disturbing without it,” says the actress. “Taking away someone’s sexuality, making it something you don’t even own anymore—that’s the scariest thing.”
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